1 00:00:01,627 --> 00:00:02,920 Man: CARROLL WAS CONVICTED IN 2004 FOR THE MURDERS 2 00:00:02,920 --> 00:00:03,921 - OF 14 YOUNG WOMEN. - DON'T DO THIS. JOE, JOE! 3 00:00:03,921 --> 00:00:05,464 Ryan: SOMETHING HAPPENED TO CLAIRE, 4 00:00:05,464 --> 00:00:06,715 - AND NOW HE'S GONNA KILL HER. - HE'S GONNA GIVE YOU 5 00:00:06,715 --> 00:00:08,300 THE OPPORTUNITY TO SAVE HER. 6 00:00:08,300 --> 00:00:09,384 HE'S GONNA GIVE ME THE OPPORTUNITY 7 00:00:09,384 --> 00:00:11,094 TO WITNESS HER DEATH. 8 00:00:11,094 --> 00:00:12,763 WE GOT A PROBLEM. PARKER'S MISSING. 9 00:00:14,181 --> 00:00:16,725 Man: AW. THAT'S TOO BAD. 10 00:00:16,725 --> 00:00:18,268 JUST A LITTLE TOO LATE. 11 00:00:18,268 --> 00:00:19,603 - RYAN, NO! - BUMMER. 12 00:00:22,397 --> 00:00:24,775 YOU AND I, HUH, HOW'S IT GOING TO END, RYAN? 13 00:00:24,775 --> 00:00:27,068 DOES GOOD TRIUMPH OVER EVIL, 14 00:00:27,068 --> 00:00:29,738 DOES THE HERO RESCUE THE GIRL? 15 00:00:29,738 --> 00:00:33,283 - LET'S BEGIN. - NO! NO! 16 00:00:45,128 --> 00:00:46,964 AAH! AAH! 17 00:00:56,264 --> 00:00:57,766 IS HE DEAD? DID THEY FIND THE BODY? 18 00:00:57,766 --> 00:00:59,434 YEAH. WHAT'S LEFT OF HIM. 19 00:00:59,434 --> 00:01:01,186 YOU HAVE TO BE SURE IT'S HIM. ARE YOU SURE? 20 00:01:01,186 --> 00:01:03,480 WE'LL HAVE OFFICIAL CONFIRMATION SOON. 21 00:01:03,480 --> 00:01:05,691 SERIAL KILLER JOE CARROLL'S LIFE 22 00:01:05,691 --> 00:01:08,151 CAME TO AN END EARLY THIS MORNING. 23 00:01:08,151 --> 00:01:10,320 WHEN HE WAS BURNED TO DEATH IN A FIRE. 24 00:01:10,320 --> 00:01:13,490 WE HAVE CONFIRMED THAT JOE CARROLL IS DEAD. 25 00:01:13,490 --> 00:01:16,243 - IS IT TRUE? - HE'S DEAD. 26 00:01:18,037 --> 00:01:19,621 - HUNGRY? - YEAH. I'M STARVING. 27 00:01:19,621 --> 00:01:21,289 I'LL GET CLEANED UP. 28 00:01:33,010 --> 00:01:35,220 WE INTERCEPTED THIS DOWNSTAIRS. 29 00:01:35,220 --> 00:01:36,471 THANKS, MAN. 30 00:01:47,816 --> 00:01:50,569 UNH! UNH! 31 00:01:56,241 --> 00:01:59,036 Claire: OKAY. I SMELL FOOD. 32 00:01:59,036 --> 00:02:02,790 - CLAIRE! - RYAN! NO, NO! 33 00:02:02,790 --> 00:02:05,417 - NO! - OHH! 34 00:02:05,417 --> 00:02:07,461 NO, NO! 35 00:02:11,924 --> 00:02:13,425 UNH! AAH! 36 00:02:13,425 --> 00:02:15,928 AAH! AAH! AAH! 37 00:02:25,062 --> 00:02:26,772 NO, NO! 38 00:02:31,401 --> 00:02:33,737 NO. PLEASE, PLEASE, PLEASE, PLEASE. 39 00:02:41,328 --> 00:02:43,538 WHERE'S CLAIRE? IS SHE OKAY? 40 00:02:55,843 --> 00:02:58,177 [BEEP BEEP] PRESSURE'S DROPPING. 41 00:02:58,177 --> 00:02:59,596 HE'S BLEEDING OUT! 42 00:02:59,596 --> 00:03:03,224 NO PRESSURE. [INDISTINCT CHATTER] 43 00:03:03,224 --> 00:03:04,225 Woman: WE'RE LOSING HER! 44 00:03:29,793 --> 00:03:30,794 MIKE... 45 00:03:33,797 --> 00:03:35,590 HOW'S CLAIRE? 46 00:04:41,990 --> 00:04:43,742 [ROSANNA SCOTTO LAUGHS ON TV] 47 00:04:43,742 --> 00:04:45,702 Greg Kelly: A NEW BOOK HITS STANDS THIS WEEK. 48 00:04:45,702 --> 00:04:47,537 IT'S CALLED "THE HAVENPORT TRAGEDY: 49 00:04:47,537 --> 00:04:50,124 THE TRUE STORY OF JOE CARROLL AND HIS BLOOD CULT" 50 00:04:50,124 --> 00:04:51,708 BY AUTHOR CARRIE COOKE. 51 00:04:51,708 --> 00:04:52,709 Scotto: THIS WEEK, MARKS THE ANNIVERSARY 52 00:04:52,709 --> 00:04:54,586 OF JOE CARROLL'S DEATH, 53 00:04:54,586 --> 00:04:57,005 AND CARRIE COOKE IS ACTUALLY GONNA BE JOINING US LATER 54 00:04:57,005 --> 00:04:59,841 TO TALK ABOUT HIS MURDEROUS CULT THAT LEFT A TRAIL OF BLOOD 55 00:04:59,841 --> 00:05:01,093 AND MAYHEM ACROSS THE EAST COAST 56 00:05:01,093 --> 00:05:02,677 AND ROCKED THE NATION. 57 00:05:02,677 --> 00:05:04,429 Greg Kelly: YEAH. SOME SCARY STUFF. 58 00:05:04,429 --> 00:05:06,640 CAN YOU BELIEVE IT'S BEEN A YEAR? STAY WITH-- 59 00:05:06,640 --> 00:05:09,559 Woman: WHEN I GOT HERE, I'D MADE SO MANY WRONG TURNS, 60 00:05:09,559 --> 00:05:12,020 FELT EMPTY, DEAD INSIDE. 61 00:05:12,020 --> 00:05:13,981 YOU GUYS BROUGHT ME BACK TO LIFE. 62 00:05:13,981 --> 00:05:16,817 YOU SHOWED ME THAT MY PAST IS EXACTLY THAT. 63 00:05:17,859 --> 00:05:19,861 I HAVE A LIFE TODAY. 64 00:05:19,861 --> 00:05:21,947 IS IT BETTER? SOMETIMES. 65 00:05:21,947 --> 00:05:24,199 IT'S DIFFERENT, 66 00:05:24,199 --> 00:05:25,909 AND THEN THERE ARE MOMENTS WHEN I GET 67 00:05:25,909 --> 00:05:28,703 LITTLE GLIMPSES OF HOPE. 68 00:05:28,703 --> 00:05:30,455 THOSE ARE GOOD DAYS, 69 00:05:31,706 --> 00:05:33,041 AND THE REST OF THE DAYS, 70 00:05:35,085 --> 00:05:36,544 I'M WORKING ON THOSE. 71 00:05:38,839 --> 00:05:40,548 THIS DINNER'S FOR YOUR NIECE? 72 00:05:40,548 --> 00:05:42,092 YEAH. SHE WANTS ME TO MEET HER NEW BOYFRIEND. 73 00:05:42,092 --> 00:05:43,927 I HAVE NO IDEA WHY. 74 00:05:43,927 --> 00:05:46,305 MAYBE BECAUSE SHE'S EXCITED TO HAVE YOU IN HER LIFE 75 00:05:46,305 --> 00:05:48,515 AND WANTS TO SHARE IT WITH YOU. 76 00:05:48,515 --> 00:05:49,599 COULD BE THAT. 77 00:05:49,599 --> 00:05:51,310 Woman: OKAY. HOW CRAZY AM I? 78 00:05:51,310 --> 00:05:53,603 OUTSTANDING, MELISSA. 79 00:05:53,603 --> 00:05:56,773 FEELS GOOD TO OPEN UP AND SHARE, DOESN'T IT? 80 00:05:56,773 --> 00:05:59,067 WHY DOES EVERYTHING YOU SAY SOUND LIKE IT'S DIRECTED AT ME? 81 00:05:59,067 --> 00:06:01,069 I'M YOUR SPONSOR. 82 00:06:01,069 --> 00:06:03,571 I WANT TO POINT OUT THAT I'M ONLY FIVE MONTHS' SOBER. 83 00:06:03,571 --> 00:06:05,324 ALL THE MORE REASON TO OPEN YOUR MOUTH 84 00:06:05,324 --> 00:06:06,908 AND LET SOMEONE KNOW WHAT'S GOING ON IN THERE. 85 00:06:06,908 --> 00:06:09,577 YEAH, YEAH, YEAH, YEAH. 86 00:06:09,577 --> 00:06:11,330 Ryan: OKAY. SO SCATTERED, MESSY. 87 00:06:11,330 --> 00:06:14,291 WE GOT A DISORGANIZED KILLER. WHAT ELSE DO YOU SEE? 88 00:06:14,291 --> 00:06:15,583 Woman: THE KILLER'S LEFT-HANDED. 89 00:06:15,583 --> 00:06:16,751 THE STAB WOUNDS ARE LEFT TO RIGHT. 90 00:06:16,751 --> 00:06:17,919 ARE YOU SURE? 91 00:06:17,919 --> 00:06:19,171 COULD HAVE BEEN RIGHT TO RIGHT 92 00:06:19,171 --> 00:06:20,839 IF HER ATTACKER STRUCK LIKE THIS. 93 00:06:20,839 --> 00:06:22,381 Man: HER BRA AND PANTIES ARE ON THE FLOOR, 94 00:06:22,381 --> 00:06:23,508 BUT THE VICTIM IS WEARING UNDERWEAR. 95 00:06:23,508 --> 00:06:24,843 WHICH TELLS YOU... 96 00:06:24,843 --> 00:06:26,261 Woman: SHE HAS HORRIBLE TASTE. 97 00:06:26,261 --> 00:06:27,262 WHAT'S WITH THE LEOPARD PRINT? 98 00:06:28,680 --> 00:06:31,350 SO POSSIBLE STRIPPER, ADULT ENTERTAINER. 99 00:06:31,350 --> 00:06:33,810 Man: A HATE CRIME? MISSIONARY KILL. 100 00:06:33,810 --> 00:06:37,147 IT'S...IMPULSIVE AND VIOLENT. 101 00:06:37,147 --> 00:06:39,440 SHE WASN'T RAPED, BUT IT WAS A SEX CRIME. 102 00:06:39,440 --> 00:06:41,400 THE UNDERWEAR SOILED BY THE CHAIR. 103 00:06:41,400 --> 00:06:42,944 MEANING? 104 00:06:42,944 --> 00:06:45,030 THE CHAIR'S POSITIONED OVER HER BODY. 105 00:06:45,030 --> 00:06:46,740 HE MASTURBATED AND SAT DOWN TO DO IT. 106 00:06:46,740 --> 00:06:48,116 AND THE BLOOD ON THE LEFT SIDE OF THE TABLE 107 00:06:48,116 --> 00:06:49,826 IS WHERE HE LAID THE KNIFE DOWN 108 00:06:49,826 --> 00:06:52,579 BECAUSE THAT'S THE HAND HE USED TO DO HIS BUSINESS 109 00:06:52,579 --> 00:06:54,331 BECAUSE HE WAS LEFT-HANDED. 110 00:06:56,791 --> 00:06:58,919 OKAY, OKAY, OKAY, OKAY. 111 00:07:12,431 --> 00:07:13,433 HI. 112 00:07:14,768 --> 00:07:16,436 HEY. AM I LATE? 113 00:07:16,436 --> 00:07:17,396 YOU'RE THE FIRST ONE HERE. 114 00:07:18,646 --> 00:07:19,940 SO YOU ALONE? 115 00:07:19,940 --> 00:07:21,024 NO HE'S PARKING THE CAR. 116 00:07:21,024 --> 00:07:22,234 AHH. 117 00:07:22,234 --> 00:07:24,236 - HIS NAME IS CHRIS. - UH-HUH. 118 00:07:24,236 --> 00:07:26,071 HE'S FROM CALIFORNIA, 119 00:07:26,071 --> 00:07:28,990 GREW UP IN SACRAMENTO OR SOMETHING. 120 00:07:28,990 --> 00:07:30,617 HE'S A PASTRY CHEF AT DOLCE. 121 00:07:31,910 --> 00:07:33,161 OKAY. 122 00:07:33,161 --> 00:07:34,996 YOU JUDGED. DON'T JUDGE. 123 00:07:34,996 --> 00:07:37,124 NO. I DIDN'T JUDGE! NO. I--I JUST SAID, "OKAY," 124 00:07:37,124 --> 00:07:40,460 AS IN "HE'S A PASTRY CHEF." OKAY. 125 00:07:40,460 --> 00:07:42,170 MAYBE IF WE DON'T SAY IT OUT LOUD. 126 00:07:42,170 --> 00:07:44,339 [KNOCK ON DOOR] HEY. 127 00:07:44,339 --> 00:07:45,632 - I'M RYAN. - HEY. I'M CHRIS. 128 00:07:45,632 --> 00:07:46,716 - NICE TO MEET YOU. - COME ON IN. 129 00:07:46,716 --> 00:07:48,218 THANKS. 130 00:07:48,218 --> 00:07:49,886 RYAN TELLS ME YOU'RE LAW ENFORCEMENT. 131 00:07:49,886 --> 00:07:52,306 YEP. I'M A COP. NYPD. 132 00:07:52,306 --> 00:07:55,183 SHE'S IN THE INTELLIGENCE UNIT. JUST MADE DETECTIVE. 133 00:07:55,183 --> 00:07:57,436 Melissa: IS THIS SERVE AND PROTECT A FAMILY TRADITION? 134 00:07:57,436 --> 00:07:59,479 WELL, MY DAD, HIS BROTHER, WAS A FIREMAN. 135 00:07:59,479 --> 00:08:03,150 AND MY DAD WAS A COP, AND MY UNCLE WAS A COP. 136 00:08:03,150 --> 00:08:05,193 NOW MAX TOLD ME TO GO HEART HEALTHY, 137 00:08:05,193 --> 00:08:07,154 SO THERE'S NO GUARANTEES. 138 00:08:07,154 --> 00:08:08,155 WOW. LOOKS GOOD. 139 00:08:13,118 --> 00:08:14,828 I REALLY LIKE BARRY. 140 00:08:14,828 --> 00:08:15,996 HE'S YOUR SPONSOR, RIGHT? 141 00:08:15,996 --> 00:08:17,080 SHH. 142 00:08:18,832 --> 00:08:20,125 THAT MELISSA CHICK IS HOT. 143 00:08:21,709 --> 00:08:23,628 FOR YOU. YOU SHOULD GET ON THAT. 144 00:08:23,628 --> 00:08:24,796 I LIKE PASTRY BOY. 145 00:08:24,796 --> 00:08:27,424 HEH HEH. REALLY? 146 00:08:27,424 --> 00:08:28,549 I WISH HE WERE ANGRIER. 147 00:08:30,593 --> 00:08:32,095 - THANKS. - FOR WHAT? 148 00:08:33,763 --> 00:08:36,433 I KNOW WHAT TONIGHT IS REALLY ABOUT. 149 00:08:36,433 --> 00:08:38,268 YEAH. I THOUGHT THIS WEEK MIGHT BE A LITTLE ROUGH ON YOU. 150 00:08:40,270 --> 00:08:42,063 IS IT? 151 00:08:42,063 --> 00:08:44,816 WELL, IT'S THERE 152 00:08:44,816 --> 00:08:46,609 SMACKING ME IN THE FACE EVERYWHERE I LOOK. 153 00:08:49,988 --> 00:08:51,614 DISTRACTIONS CAN BE NICE. 154 00:10:36,553 --> 00:10:37,971 RESURRECTION! 155 00:10:37,971 --> 00:10:39,598 RESURRECTION! 156 00:10:39,598 --> 00:10:41,891 RESURRECTION! RESURRECTION! 157 00:10:49,023 --> 00:10:50,358 [SCREAMING] AAH! 158 00:11:11,212 --> 00:11:15,091 JOE CARROLL LIVES! RYAN HARDY CAN'T STOP US. 159 00:11:15,091 --> 00:11:16,593 THE RESURRECTION IS COMING. 160 00:11:18,719 --> 00:11:20,138 THE RESURRECTION IS COMING. 161 00:11:21,598 --> 00:11:24,934 AAH! AAH! HELP ME! PLEASE! 162 00:11:45,288 --> 00:11:46,747 Reporter on TV: HOW MANY ARE DEAD? HOW MANY ARE DEAD? 163 00:11:46,747 --> 00:11:48,625 Man on TV: 5 ARE CONFIRMED DEAD, 164 00:11:48,625 --> 00:11:50,960 ONE VICTIM SURVIVED AND IS CURRENTLY BEING TREATED 165 00:11:50,960 --> 00:11:53,171 AT MANHATTAN MEMORIAL FOR MULTIPLE STAB WOUNDS. 166 00:11:53,171 --> 00:11:54,839 Reporter on TV: DO YOU HAVE A SUSPECT? 167 00:11:54,839 --> 00:11:56,216 THERE WERE AT LEAST 3 PERPETRATORS INVOLVED. 168 00:11:56,216 --> 00:11:58,051 IT'S AN ACTIVE INVESTIGATION. 169 00:11:58,051 --> 00:11:59,511 Man: COMMISSIONER, DO YOU THINK THIS COULD BE THE WORK 170 00:11:59,511 --> 00:12:00,679 OF JOE CARROLL'S CULT? 171 00:12:00,679 --> 00:12:03,139 LET'S NOT SPECULATE, PLEASE. 172 00:12:03,139 --> 00:12:04,474 Man: SIR, THIS WEEK MARKS THE ANNIVERSARY 173 00:12:04,474 --> 00:12:06,184 OF THE HAVENPORT TRAGEDY. 174 00:12:06,184 --> 00:12:07,852 Commissioner: THAT WILL BE ALL. THANK YOU. 175 00:12:09,479 --> 00:12:10,813 Woman on TV: IS JOE CARROLL'S LEGACY 176 00:12:10,813 --> 00:12:12,607 ALIVE AND LIVING IN NEW YORK? 177 00:12:12,607 --> 00:12:14,651 THAT'S WHAT THE PEOPLE OF NEW YORK CITY 178 00:12:14,651 --> 00:12:15,943 FEAR AS FIVE PEOPLE ARE... 179 00:12:22,325 --> 00:12:24,661 ...ARE UNWILLING TO SAY IF THIS ATTACK IS CONNECTED 180 00:12:24,661 --> 00:12:26,580 IN ANY WAY TO JOE CARROLL, 181 00:12:26,580 --> 00:12:28,081 BUT AS THIS WEEK MARKS THE FIRST... 182 00:12:34,462 --> 00:12:35,838 HELLO, MIKE. 183 00:12:35,838 --> 00:12:37,924 AGENT PHILLIPS, WHAT CAN I DO FOR YOU? 184 00:12:37,924 --> 00:12:39,300 I'D LIKE YOU TO COME TO NEW YORK. 185 00:12:40,510 --> 00:12:42,136 YOU'RE A WALKING CASE FILE. 186 00:12:42,136 --> 00:12:43,846 YOU COULD BE A GREAT DEAL OF HELP. 187 00:12:43,846 --> 00:12:46,641 YOU WANT ME TO CONSULT? 188 00:12:46,641 --> 00:12:49,519 I'M NOT ACTIVE. OPR SUSPENDED ME TILL MY REVIEW IN JANUARY. 189 00:12:49,519 --> 00:12:52,105 GRAND JURY MADE NO INDICTMENTS. 190 00:12:52,105 --> 00:12:55,400 YOU WERE CLEARED. COME TO NEW YORK. 191 00:12:55,400 --> 00:12:58,236 IF ALL GOES WELL, I'LL TAKE ON THE OPR. 192 00:13:56,795 --> 00:13:58,087 MY THOUGHTS AND PRAYERS GO OUT 193 00:13:58,087 --> 00:14:00,256 TO THE VICTIMS AND THEIR FAMILIES, 194 00:14:00,256 --> 00:14:04,177 BUT WITH REGARDS TO THE SUBWAY MURDERS AND JOE CARROLL, 195 00:14:04,177 --> 00:14:05,178 I'M NOT INVOLVED. 196 00:14:12,769 --> 00:14:15,229 HI, EVERYONE. BEFORE YOU ASK, I'M NOT INVOLVED, 197 00:14:15,229 --> 00:14:16,939 I WON'T BE CONSULTING, 198 00:14:16,939 --> 00:14:18,941 AND I HAVE NO INFORMATION ABOUT THE SUBWAY MURDERS. 199 00:14:18,941 --> 00:14:20,109 Man: MR. HARDY. 200 00:14:33,289 --> 00:14:34,833 SECTION CHIEF KEN PHILLIPS. 201 00:14:34,833 --> 00:14:37,084 WELCOME, SIR. SPECIAL AGENT GINA MENDEZ. 202 00:14:38,503 --> 00:14:40,505 CSU's STILL PROCESSING. 203 00:14:40,505 --> 00:14:41,798 WHEN THE TRAIN STOPPED, 204 00:14:41,798 --> 00:14:43,216 OUR THREE PERPS HOPPED THE TRACKS, 205 00:14:43,216 --> 00:14:44,759 EXITED VIA THE UPTOWN TUNNEL, 206 00:14:44,759 --> 00:14:46,761 USED THE FIRE EXIT, SO NO EYEWITNESSES. 207 00:14:46,761 --> 00:14:48,596 Phillips: WHAT ABOUT THE VICTIM? 208 00:14:48,596 --> 00:14:49,972 Mendez: SHE'S BEING TREATED AT MANHATTAN MEMORIAL, 209 00:14:49,972 --> 00:14:51,932 MULTIPLE STAB WOUNDS, ALL DEFENSIVE. 210 00:14:51,932 --> 00:14:54,310 DOCTOR SAYS WE SHOULD BE ABLE TO SPEAK TO HER WITHIN THE HOUR. 211 00:14:54,310 --> 00:14:56,187 ANYTHING FROM THE SECURITY CAMERAS? 212 00:14:56,187 --> 00:14:58,648 OH, YEAH. WE GOT THE WHOLE SHOW. 213 00:15:05,655 --> 00:15:07,574 I DON'T WANT TO HAVE SEX. 214 00:15:07,574 --> 00:15:09,909 EVERYTHING'S ALWAYS ABOUT SEX. 215 00:15:09,909 --> 00:15:12,495 I'M NOT OPPOSED TO IT, BUT... 216 00:15:14,497 --> 00:15:16,708 IT'S NOT AS IMPORTANT AS PEOPLE MAKE IT. 217 00:15:19,544 --> 00:15:24,257 I TH--I THINK TOUCHING'S MORE IMPORTANT. 218 00:15:24,257 --> 00:15:28,177 IF YOU DO IT RIGHT, YOU CAN FEEL IT ALWAYS... 219 00:15:32,390 --> 00:15:33,850 EVEN AFTER YOU STOP. 220 00:15:41,399 --> 00:15:43,693 I'M HUNGRY. YOU HAVE ANY FOOD? 221 00:15:53,369 --> 00:15:55,663 HEY, HEATHER! I CAN MAKE AN EGG WHITE OMELET 222 00:15:55,663 --> 00:15:57,373 WITH SOME SPINACH! 223 00:16:08,509 --> 00:16:11,345 MIKE! MIKEY! 224 00:16:11,345 --> 00:16:12,597 WHAT ARE YOU DOING HERE? 225 00:16:12,597 --> 00:16:14,348 TONY, SHOTS. SHOTS FOR EVERYBODY. 226 00:16:14,348 --> 00:16:16,100 - HEY, RYAN. - HOW YOU DOING, MAN? 227 00:16:16,100 --> 00:16:18,686 OH. IT'S GOOD TO SEE YOU. 228 00:16:18,686 --> 00:16:20,814 HEY. YOU LOOK GOOD. 229 00:16:20,814 --> 00:16:22,315 COME HERE. I WANT YOU TO MEET SOME PEOPLE. 230 00:16:24,024 --> 00:16:25,443 SO HOW LONG YOU IN TOWN FOR? 231 00:16:25,443 --> 00:16:28,947 - UH, HEAD BACK TOMORROW. - COOL, COOL. 232 00:16:28,947 --> 00:16:33,159 HEY. HOW'S JOEY DOING? 233 00:16:33,159 --> 00:16:35,202 HE'S SAFE. BEYOND THAT, I DON'T KNOW. 234 00:16:35,202 --> 00:16:36,412 HIS GRANDMOTHER AGREED TO WITNESS PROTECTION. 235 00:16:36,412 --> 00:16:38,038 OH. 236 00:16:38,038 --> 00:16:39,998 LOOK. I GOT TO TESTIFY IN FRONT OF THE GRAND JURY. 237 00:16:39,998 --> 00:16:42,502 - YOU DO, TOO. - YEAH. THAT'S COMING UP. 238 00:16:42,502 --> 00:16:44,712 THAT LAST DAY IN THE WOODS AFTER YOU LEFT ME, 239 00:16:44,712 --> 00:16:47,298 I TOOK ALEX'S HANDCUFFS OFF. 240 00:16:47,298 --> 00:16:49,884 WE DIDN'T CUFF HIM, RYAN, YOU UNDERSTAND? 241 00:16:51,636 --> 00:16:54,096 HE LUNGED AT YOU, YOU FIRED YOUR GUN. 242 00:16:56,557 --> 00:16:59,143 THIS IS IMPORTANT, RYAN. DO YOU UNDERSTAND? 243 00:16:59,143 --> 00:17:02,021 ALL YOU HAVE TO SAY IS "I DON'T REMEMBER." 244 00:17:02,021 --> 00:17:03,648 YOU WERE EMOTIONAL, CRAZY THAT DAY. 245 00:17:03,648 --> 00:17:05,191 YOU DON'T RECALL WHAT HAPPENED. I GOT THE REST. 246 00:17:05,191 --> 00:17:06,860 YOU DON'T HAVE TO LIE FOR ME, MIKE. 247 00:17:08,987 --> 00:17:11,698 YOU ACTED IMPULSIVELY. 248 00:17:11,698 --> 00:17:13,031 THEY WON'T CONDONE IT OR EVEN BELIEVE IT, 249 00:17:13,031 --> 00:17:16,202 BUT THEY WILL ACCEPT IT. 250 00:17:16,202 --> 00:17:17,871 THEY'LL UNDERSTAND WE WERE TRYING TO SAVE DEBRA. 251 00:17:22,124 --> 00:17:24,794 DO YOU EVEN REMEMBER WHAT DEBRA TOLD YOU THAT DAY? 252 00:17:24,794 --> 00:17:26,253 WHAT HER LAST WORDS WERE? 253 00:17:39,350 --> 00:17:41,227 - HELLO, MIKE. - YOU LOOK GOOD, RYAN. 254 00:17:41,227 --> 00:17:42,854 SO WHAT AM I DOING HERE? 255 00:17:42,854 --> 00:17:44,313 WHAT AM I DOING HERE? 256 00:17:44,313 --> 00:17:46,315 Phillips: THANK YOU FOR COMING, MR. HARDY. 257 00:17:46,315 --> 00:17:47,734 AGENT PHILLIPS. 258 00:17:47,734 --> 00:17:49,652 SPECIAL AGENT GINA MENDEZ. 259 00:17:49,652 --> 00:17:51,821 I NEED TO ASK YOU HAVE YOU BEEN CONTACTED 260 00:17:51,821 --> 00:17:53,865 OR ENGAGED IN ANY WAY REGARDING LAST NIGHT'S EVENTS? 261 00:17:53,865 --> 00:17:55,324 NO. 262 00:17:55,324 --> 00:17:57,035 HAVE YOU BEEN IN CONTACT WITH ANY KNOWN 263 00:17:57,035 --> 00:17:58,745 OR UNKNOWN FOLLOWERS OF CARROLL IN THE PAST YEAR? 264 00:17:58,745 --> 00:18:00,371 NO. 265 00:18:00,371 --> 00:18:02,122 IS THERE ANYTHING YOU KNOW THAT COULD HELP US FIND 266 00:18:02,122 --> 00:18:03,207 WHO DID THIS? 267 00:18:05,543 --> 00:18:06,502 NO. 268 00:18:10,256 --> 00:18:12,258 WE, UH, VALUE YOUR INPUT, 269 00:18:12,258 --> 00:18:15,053 SO IF THERE'S ANYTHING YOU CAN ADD. 270 00:18:17,137 --> 00:18:19,015 THE WITNESS LILY GRAY, 271 00:18:19,015 --> 00:18:20,474 ART DEALER, GALLERY IN SOHO, 272 00:18:20,474 --> 00:18:22,101 SURVIVED, SEVERAL DEFENSIVE WOUNDS. 273 00:18:23,978 --> 00:18:26,981 THEY WERE YELLING AND SCREAMING THROUGH THEIR MASKS. 274 00:18:28,315 --> 00:18:29,275 WHAT WERE THEY SAYING? 275 00:18:32,779 --> 00:18:34,572 CRAZY THINGS. 276 00:18:34,572 --> 00:18:36,198 "RESURRECTION." 277 00:18:36,198 --> 00:18:39,118 THEY KEPT REPEATING IT, CHANTING IT. 278 00:18:40,787 --> 00:18:44,415 THEY SAID, "JOE CARROLL LIVES," AND THEN THEY ATTACKED. 279 00:18:46,751 --> 00:18:49,462 DID THEY SAY ANYTHING ELSE? 280 00:18:52,214 --> 00:18:53,883 "RYAN HARDY CAN'T STOP US." 281 00:18:59,931 --> 00:19:01,057 THANK YOU. 282 00:19:05,144 --> 00:19:06,813 I TAKE IT YOU'RE RYAN HARDY. 283 00:19:11,484 --> 00:19:12,610 WHY DID THEY DO THIS? 284 00:19:19,993 --> 00:19:21,077 SHALL WE? 285 00:19:28,960 --> 00:19:30,544 AHH. YOU'RE A 70'S FREAK. 286 00:19:30,544 --> 00:19:32,296 LOVE IT. 287 00:19:32,296 --> 00:19:34,548 KC and the Sunshine Band: ♪ DO DO DO DO DO DO DO ♪ 288 00:19:34,548 --> 00:19:36,258 COME ON! DANCE WITH ME! 289 00:19:36,258 --> 00:19:38,344 ♪ AW, THAT'S THE WAY, UH-HUH, UH-HUH ♪ 290 00:19:38,344 --> 00:19:40,554 ♪ I LIKE IT ♪ ♪ UH-HUH, UH-HUH ♪ 291 00:19:40,554 --> 00:19:43,641 ♪ THAT'S THE WAY, UH-HUH, UH-HUH I LIKE IT ♪ 292 00:19:50,148 --> 00:19:52,775 England Dan and John Ford Coley: ♪ SOFT SUMMER NIGHTS ♪ 293 00:19:52,775 --> 00:19:56,863 ♪ SPENT THINKING OF YOU ♪ 294 00:19:56,863 --> 00:20:00,658 ♪ WHEN WILL I SEE YOU AGAIN? ♪ 295 00:20:00,658 --> 00:20:06,706 ♪ I DIDN'T KNOW IT COULD BE SO STRONG ♪ 296 00:20:06,706 --> 00:20:11,502 ♪ WAITING AND WONDERING ABOUT YOU ♪ 297 00:20:15,381 --> 00:20:17,591 THIS IS AN AWESOME PLAY LIST. 298 00:20:17,591 --> 00:20:22,180 ♪ NIGHTS ARE FOREVER WITHOUT YOU ♪ ♪ 299 00:20:33,858 --> 00:20:35,776 AHH. 300 00:20:45,369 --> 00:20:47,080 HEATHER HONEY, YOU CAN'T JUST LAY THERE. 301 00:20:49,540 --> 00:20:50,791 I'M GONNA NEED SOME HELP. 302 00:20:54,336 --> 00:20:55,755 I NEED SOME HELP WITH HEATHER. 303 00:21:10,186 --> 00:21:11,229 HOW YOU FEELING? 304 00:21:12,354 --> 00:21:13,355 AWESOME. 305 00:21:14,857 --> 00:21:15,942 IT'S BEEN A GREAT DAY. 306 00:21:17,735 --> 00:21:18,736 YES, IT HAS. 307 00:21:21,989 --> 00:21:23,991 Woman on TV: AT THIS TIME, LAW ENFORCEMENT OFFICIALS 308 00:21:23,991 --> 00:21:25,701 ARE UNWILLING TO SAY IF THIS ATTACK 309 00:21:25,701 --> 00:21:28,537 IS CONNECTED IN ANY WAY TO JOE CARROLL, 310 00:21:28,537 --> 00:21:30,957 BUT AS THIS WEEK MARKS THE FIRST ANNIVERSARY 311 00:21:30,957 --> 00:21:33,584 OF CARROLL'S DEATH, MANY PEOPLE ARE WORRIED 312 00:21:33,584 --> 00:21:34,877 THAT HIS VICIOUS CULT... 313 00:21:34,877 --> 00:21:36,420 WHAT THE HELL? 314 00:21:36,420 --> 00:21:38,505 LOOKS LIKE THERE'S A NEW CULT. 315 00:21:38,505 --> 00:21:40,174 - WHO ARE THEY? - WHO KNOWS? 316 00:21:40,174 --> 00:21:41,300 IT'S NOT US, THAT'S FOR SURE. 317 00:21:41,300 --> 00:21:43,177 FRANK THINKS IT'S CARLOS, 318 00:21:43,177 --> 00:21:45,387 BUT I THINK HE'S TOO DUMB TO PULL SOMETHING LIKE THIS OFF. 319 00:21:45,387 --> 00:21:46,847 WITH WHO? 320 00:21:46,847 --> 00:21:50,726 YOU KNOW, CARLOS FROM HAVENPORT. 321 00:21:50,726 --> 00:21:52,770 YOU SHOULD TALK TO FRANK. HE SAW CARLOS ONCE. 322 00:21:52,770 --> 00:21:54,312 I THINK IT WAS IN THE VILLAGE. 323 00:21:59,693 --> 00:22:02,362 Mendez: THE MTA ONLY HAS CAMERAS IN 40% OF ALL CITY TRAINS. 324 00:22:02,362 --> 00:22:03,823 THAT VIDEO WASN'T LUCK. 325 00:22:03,823 --> 00:22:06,159 THEY WANTED US TO SEE IT-- PERFORMANCE ART. 326 00:22:06,159 --> 00:22:08,119 Phillips: CAN YOU PULL UP THE VIDEO FROM THE ADJOINING CARS? 327 00:22:08,119 --> 00:22:10,788 Mendez: NO. THE TRAINS ONLY HAVE CAMERAS EVERY OTHER CAR, 328 00:22:10,788 --> 00:22:12,915 WHICH THEY KNEW. THEY'RE SLICK. 329 00:22:12,915 --> 00:22:14,667 ALL RIGHT, GUYS. WHAT DO YOU GOT? 330 00:22:14,667 --> 00:22:16,210 THE HOODIES ARE NEWLY PURCHASED, HADN'T BEEN WASHED. 331 00:22:16,210 --> 00:22:17,878 SOLD IN SOUVENIR SHOPS. 332 00:22:17,878 --> 00:22:21,715 THE MASK IS MOLDED SILICONE, HAND-PAINTED, VERY PRO. 333 00:22:21,715 --> 00:22:23,968 ALL RIGHT. MR. HARDY, DON'T BE SHY. 334 00:22:23,968 --> 00:22:25,970 ARE THESE YOUR CULT BOYS OR A NEW FAN CLUB? 335 00:22:25,970 --> 00:22:27,596 COULD BE BOTH. 336 00:22:27,596 --> 00:22:29,682 Mike: 37 CULT MEMBERS WERE IDENTIFIED IN HAVENPORT. 337 00:22:29,682 --> 00:22:32,935 17 WERE KILLED, 7 IN CUSTODY, 5 ARRESTED IN THE PAST YEAR. 338 00:22:32,935 --> 00:22:35,146 WELL, THAT MAKES 8 KNOWN ACOLYTES STILL OUT THERE. 339 00:22:35,146 --> 00:22:37,564 Mike: UNLESS THOSE 8 FOUND 8 AND FOUND 8 MORE. 340 00:22:37,564 --> 00:22:40,234 LET'S JUST START WITH THE 3 ON THE TRAIN. 341 00:22:40,234 --> 00:22:41,485 SO WHAT ABOUT SURVEILLANCE FOOTAGE? 342 00:22:41,485 --> 00:22:42,778 YOU GUYS BUILDING A VIDEO TRAIL? 343 00:22:42,778 --> 00:22:43,946 IT'S IN THE WORKS. HOPKINS. 344 00:22:43,946 --> 00:22:45,405 THE 3 HOODED MEN EXIT AT CANAL. 345 00:22:47,574 --> 00:22:50,368 WE PICK THEM UP ON WEST BROADWAY GOING UPTOWN. 346 00:22:50,368 --> 00:22:53,371 AND THEN TWO TURN RIGHT, ONE GOES SOLO EASTBOUND. 347 00:22:53,371 --> 00:22:54,915 MORE TO COME. MOST BUSINESSES 348 00:22:54,915 --> 00:22:56,709 ARE VOLUNTEERING THEIR SURVEILLANCE FOOTAGE, 349 00:22:56,709 --> 00:22:58,169 AND THEN WE HAVE MEN GOING DOOR TO DOOR 350 00:22:58,169 --> 00:22:59,670 WITH COURT ORDERS FOR THE REST. 351 00:22:59,670 --> 00:23:01,339 CAN YOU BODY SCAN THE 3 SUSPECTS? 352 00:23:04,424 --> 00:23:07,928 THESE ARE OUR KNOWN CARROLLERS. 353 00:23:11,807 --> 00:23:13,809 LET'S CREATE PRE-VIZ FOR THE MALES ONLY. 354 00:23:22,776 --> 00:23:23,861 OKAY. ONE MATCH. 355 00:23:25,279 --> 00:23:28,532 CARLOS PEREZ. 356 00:23:28,532 --> 00:23:30,784 HE'S ON OUR LIST, ONE OF OUR HAVENPORT GUYS. 357 00:23:30,784 --> 00:23:32,410 HE'S BEEN MIA FOR A YEAR. 358 00:23:32,410 --> 00:23:34,705 - HOW SURE ARE YOU? - IT'S A 75% MATCH. 359 00:23:34,705 --> 00:23:36,332 THAT'S GOOD ENOUGH FOR ME. 360 00:23:36,332 --> 00:23:38,292 ISSUE A STATEMENT. GET HIS FACE OUT THERE. 361 00:23:38,292 --> 00:23:40,127 SEE IF THE PUBLIC CAN HELP IDENTIFY HIM. 362 00:23:40,127 --> 00:23:41,295 WHAT ABOUT THE OTHER TWO? 363 00:23:41,295 --> 00:23:42,671 THEY'RE NEW TO THE PARTY. 364 00:23:42,671 --> 00:23:45,216 Phillips: IS THIS NEW CULT, OLD CULT, 365 00:23:45,216 --> 00:23:47,885 FAN CLUB, COPYCAT, GROUPIES? 366 00:23:49,136 --> 00:23:52,265 WHAT, MR. HARDY? ANYTHING? 367 00:23:52,265 --> 00:23:54,225 YEAH. I WISH I COULD BE MORE HELP, 368 00:23:54,225 --> 00:23:56,894 BUT, YOU KNOW, I REALLY HAVEN'T KEPT UP WITH THE CASE. 369 00:23:56,894 --> 00:23:59,605 I'M STRICTLY CIVILIAN NOW, 370 00:23:59,605 --> 00:24:01,399 SO, UH, 371 00:24:01,399 --> 00:24:03,984 IF THERE'S NOTHING ELSE, I'D LIKE TO GO. 372 00:24:07,654 --> 00:24:08,614 OKAY. 373 00:24:15,121 --> 00:24:16,663 Mike: HEY, RYAN. WHERE YOU GOING? 374 00:24:16,663 --> 00:24:17,748 HOME. 375 00:24:17,748 --> 00:24:19,375 WE DIDN'T FIND THEM ALL. 376 00:24:19,375 --> 00:24:21,001 - NOW THEY'RE RECRUITING MORE. - PROBABLY. 377 00:24:21,001 --> 00:24:22,795 IT'S THE ANNIVERSARY OF JOE'S DEATH. 378 00:24:22,795 --> 00:24:24,338 THIS IS NOT AN ISOLATED EVENT. THEY WERE WEARING HIS FACE. 379 00:24:24,338 --> 00:24:25,965 THEY'RE TRYING TO RESURRECT HIS LEGACY. 380 00:24:25,965 --> 00:24:27,174 - YEAH, PROBABLY. - YOU'RE WALKING AWAY? 381 00:24:27,174 --> 00:24:28,926 I CONSIDERED RUNNING. 382 00:24:28,926 --> 00:24:31,469 "RYAN HARDY CAN'T STOP US. JOE CARROLL LIVES." 383 00:24:31,469 --> 00:24:33,180 YEAH. I GOT IT. 384 00:24:33,180 --> 00:24:34,265 MESSAGE DELIVERED. 385 00:24:34,265 --> 00:24:36,016 I WANT NO PART IN THIS, MIKE. 386 00:24:36,016 --> 00:24:37,768 THIS IS OVER FOR ME, ALL RIGHT? I'M DONE. 387 00:25:35,409 --> 00:25:37,077 I CAME STRAIGHT FROM WORK, SO YOU BETTER HAVE FOOD. 388 00:25:39,205 --> 00:25:41,040 CARLOS PEREZ. YOU REMEMBER HIM? 389 00:25:41,040 --> 00:25:42,416 IS HE THE ONE WITH THE 4 I.D.s? 390 00:25:42,416 --> 00:25:43,750 YEAH. YOU HAD TRACKED HIM TO NEW YORK 391 00:25:43,750 --> 00:25:46,753 USING RICK RUIZ AND TONY SANCHEZ. 392 00:25:46,753 --> 00:25:49,089 SO CARLOS IS ONE OF THE SUBWAY KILLERS? 393 00:25:49,089 --> 00:25:50,132 PERSON OF INTEREST. 394 00:25:50,132 --> 00:25:51,133 LET ME BOOT. 395 00:25:52,801 --> 00:25:55,095 THE FEDS BROUGHT INTEL ON, ADVISORY. 396 00:25:55,095 --> 00:25:56,930 I ALMOST SIGNED UP FOR IT, BUT THEN I REMEMBERED 397 00:25:56,930 --> 00:25:59,308 I'M A PART OF THE RYAN HARDY SECRET TASK FORCE. 398 00:26:00,558 --> 00:26:01,894 SO IS IT JOE'S OLD CULT? 399 00:26:01,894 --> 00:26:04,522 CARLOS IS. THE OTHER TWO, WHO KNOWS? 400 00:26:04,522 --> 00:26:06,232 AND DID YOU SHARE WHAT YOU KNOW WITH THE BUREAU? 401 00:26:06,232 --> 00:26:08,317 WHAT, THIS? THIS IS A HOBBY. 402 00:26:08,317 --> 00:26:09,985 FIVE PEOPLE WERE KILLED. THIS ISN'T A HOBBY. 403 00:26:12,154 --> 00:26:13,739 OKAY. HERE WE GO. 404 00:26:13,739 --> 00:26:16,574 LAST INTEL HAD CARLOS USING THE MONIKER OF RUIZ. 405 00:26:16,574 --> 00:26:18,827 I HAVE PRINTS AND HANDWRITING ANALYSIS 406 00:26:18,827 --> 00:26:21,247 FROM SEVERAL BAD CREDIT CARDS OBTAINED FROM HIS GIRLFRIEND. 407 00:26:21,247 --> 00:26:22,873 SHE HAD TOLD ME HE MOVED BACK TO CALIFORNIA. 408 00:26:27,794 --> 00:26:29,088 CHECK ROBERT DIAZ. 409 00:26:30,839 --> 00:26:32,758 IT'S A NAME I PULLED FROM HER PLACE. 410 00:26:32,758 --> 00:26:34,801 ARE THE FEDS AWARE YOU FOUND THIS GUY'S GIRLFRIEND? 411 00:26:34,801 --> 00:26:36,178 I LOST HER. WHAT'S THE POINT? 412 00:26:41,808 --> 00:26:45,229 HIS RUIZ I.D. HAS A SIGNATURE MATCH TO A ROBERT DIAZ, 413 00:26:45,229 --> 00:26:47,689 SHORT-TERM RENTAL APPLICATION ON AVENUE D. 414 00:26:47,689 --> 00:26:49,024 HE'S USING A NEW FAKE. 415 00:26:49,024 --> 00:26:51,068 AVENUE D, HUH? 416 00:26:51,068 --> 00:26:52,903 HEY. UM, NOW WOULD BE THE TIME 417 00:26:52,903 --> 00:26:54,321 TO TELL THE FBI THIS INFORMATION. 418 00:26:54,321 --> 00:26:56,198 YEAH. YOU'RE PROBABLY RIGHT. 419 00:26:56,198 --> 00:26:58,534 SO, MAX, THANKS A LOT FOR STOPPING BY. 420 00:26:58,534 --> 00:27:00,244 NO CAB FARE? 421 00:27:00,244 --> 00:27:01,495 HEY. GO TO THE FBI. 422 00:27:01,495 --> 00:27:03,289 THEY'LL FIGURE IT OUT. 423 00:27:03,289 --> 00:27:05,791 SERIOUSLY, RYAN, I KNOW I'VE BEEN ENABLING YOU, 424 00:27:05,791 --> 00:27:08,668 BUT, UH, MAYBE IT'S TIME THAT WE STOPPED THIS. 425 00:27:08,668 --> 00:27:10,170 CAN YOU LOCK UP WHEN YOU LEAVE? THANKS. 426 00:28:05,934 --> 00:28:07,520 STOP! 427 00:28:14,234 --> 00:28:17,488 NO, NO, NO. I BARELY TOUCHED YOU. 428 00:28:17,488 --> 00:28:20,533 HEY! COME ON! HEY! SIT UP. 429 00:28:31,709 --> 00:28:33,671 - WHY YOU RUNNING FROM ME? - YOU BROKE INTO MY PLACE. 430 00:28:33,671 --> 00:28:35,047 YOU RECOGNIZED ME. 431 00:28:35,047 --> 00:28:37,257 NO, MAN. YOU...YOU BROKE INTO MY PLACE. 432 00:28:37,257 --> 00:28:39,385 OW! OW! 433 00:28:39,385 --> 00:28:40,927 DON'T LIE TO ME. 434 00:28:40,927 --> 00:28:43,430 I'M NOT-- I'M NOT LYING. 435 00:28:43,430 --> 00:28:45,849 CARLOS, I KNOW WHO YOU ARE, 436 00:28:45,849 --> 00:28:48,894 AND I KNOW YOU WERE ON THE SUBWAY. 437 00:28:48,894 --> 00:28:52,231 DON'T BE STUPID. I KILL STUPID PEOPLE. 438 00:28:52,231 --> 00:28:55,067 LOOK. I--I DON'T KNOW ANYTHING. 439 00:28:55,067 --> 00:28:57,403 YOU WERE IN HAVENPORT WITH JOE CARROLL. 440 00:28:57,403 --> 00:28:59,737 WHERE IS HE? 441 00:28:59,737 --> 00:29:02,032 JOE CARROLL-- HE'S DEAD. 442 00:29:02,032 --> 00:29:03,783 WE BOTH KNOW THAT'S NOT TRUE. 443 00:29:03,783 --> 00:29:05,118 WHERE IS HE? 444 00:29:05,118 --> 00:29:07,079 HE'S DEAD. UNH! 445 00:29:07,079 --> 00:29:09,915 ALL RIGHT. I'M TALKING. 446 00:29:12,834 --> 00:29:15,337 I HAVEN'T SEEN JOE SINCE THE LIGHTHOUSE. 447 00:29:16,422 --> 00:29:18,131 THE LIGHTHOUSE? 448 00:29:18,131 --> 00:29:20,175 YOU WERE AT THE LIGHTHOUSE? WHAT WERE YOU DOING THERE? 449 00:29:31,895 --> 00:29:35,608 I PICKED HIM UP ON THE BEACH 450 00:29:35,608 --> 00:29:37,443 AFTER THE BOAT HOUSE EXPLODED. 451 00:29:40,028 --> 00:29:41,363 AND WHERE DID YOU TAKE HIM? 452 00:29:41,363 --> 00:29:43,532 THERE WAS A-- THERE WAS A ROADBLOCK. 453 00:29:43,532 --> 00:29:47,369 IT WAS COPS EVERYWHERE THAT NIGHT. 454 00:29:47,369 --> 00:29:50,956 HE--HE GOT OUT. I HAVEN'T SEEN HIM SINCE. 455 00:29:50,956 --> 00:29:53,500 - HE GOT OUT? - YEAH, MAN. 456 00:29:53,500 --> 00:29:55,085 HE GOT OUT. 457 00:29:55,085 --> 00:29:57,045 THERE WAS NO WAY HE WAS GETTING THROUGH THAT ROADBLOCK. 458 00:29:57,045 --> 00:29:58,130 AND WHERE IS HE? 459 00:29:59,673 --> 00:30:03,510 I DON'T KNOW. NO ONE DOES. 460 00:30:03,510 --> 00:30:05,971 - THAT'S WHY-- - THAT'S WHY WHAT? 461 00:30:05,971 --> 00:30:07,556 WHAT IS THIS? 462 00:30:07,556 --> 00:30:09,182 WHAT ARE YOU DOING? YOU TRYING TO LURE HIM OUT? 463 00:30:10,392 --> 00:30:12,645 UNH! 464 00:30:12,645 --> 00:30:14,313 IS THIS WHAT YOU'RE LOOKING FOR? 465 00:30:14,313 --> 00:30:15,314 AAH! 466 00:30:50,265 --> 00:30:51,517 MOVE! MOVE! 467 00:31:09,284 --> 00:31:11,787 Man: SIR, DON'T MOVE. STAY STILL. 468 00:31:17,835 --> 00:31:18,960 I COULD DRIVE YOU TO THE HOSPITAL. 469 00:31:18,960 --> 00:31:21,921 NO, NO, NO. I'M OKAY. 470 00:31:24,758 --> 00:31:26,009 Man: SIR, PLEASE. 471 00:31:28,136 --> 00:31:29,555 IT'S ALL RIGHT. 472 00:31:30,889 --> 00:31:33,099 I'M OKAY. I'M OKAY. 473 00:31:38,564 --> 00:31:41,024 Man on TV: TURNING BACK TO YESTERDAY'S BRUTAL SUBWAY ATTACK, 474 00:31:41,024 --> 00:31:43,402 THE WHITE HOUSE HAS ISSUED A STATEMENT, 475 00:31:43,402 --> 00:31:46,946 SAYING THE PRESIDENT IS MONITORING EVENTS IN NEW YORK CITY 476 00:31:46,946 --> 00:31:49,324 AND HIS THOUGHTS AND PRAYERS GO OUT TO THE FAMILIES 477 00:31:49,324 --> 00:31:51,660 AFFECTED BY THIS GREAT TRAGEDY. [KNOCK ON DOOR] 478 00:31:51,660 --> 00:31:53,995 HE HAS ALSO PLEDGED THE FULL COOPERATION 479 00:31:53,995 --> 00:31:56,039 OF THE FBI WITH STATE AND LOCAL... 480 00:31:57,833 --> 00:32:00,836 WITH FIVE CONFIRMED DEAD IN THIS HORRENDOUS ASSAULT 481 00:32:00,836 --> 00:32:03,046 AT THE ASTOR PLACE STATION... 482 00:32:10,136 --> 00:32:13,849 LOOK. YOU'RE GONNA HAVE TO START SPEAKING ENGLISH, OKAY, ENGLISH? 483 00:32:15,267 --> 00:32:16,476 STUPID IDIOT! 484 00:33:08,986 --> 00:33:10,280 - WHERE ARE YOU? - CARLOS' PLACE. 485 00:33:10,280 --> 00:33:11,323 CAN YOU RUN A NAME FOR ME? 486 00:33:11,323 --> 00:33:12,991 HEATHER CLARKE. 487 00:33:12,991 --> 00:33:15,535 I KNOW THE NAME, RYAN. SHE'S DEAD. 488 00:33:15,535 --> 00:33:17,370 SHE WAS FOUND 45 MINUTES AGO. 489 00:33:17,370 --> 00:33:18,664 I CAN TEXT YOU THE ADDRESS. 490 00:33:18,664 --> 00:33:20,081 ALL RIGHT. 491 00:33:53,824 --> 00:33:54,867 IT'S HARDY. 492 00:33:56,493 --> 00:34:00,079 Mike: I GOT IT I GOT IT. 493 00:34:00,079 --> 00:34:02,374 - WHAT ARE YOU DOING HERE? - I WAS IN THE NEIGHBORHOOD. 494 00:34:02,374 --> 00:34:04,459 YEAH, RIGHT. 495 00:34:04,459 --> 00:34:06,586 SO WHAT'S GOING ON? 496 00:34:06,586 --> 00:34:08,588 HEATHER CLARKE. SOME JOGGERS FOUND HER. 497 00:34:08,588 --> 00:34:11,341 24, DANCER IN THE CHORUS OF "GYPSY." 498 00:34:11,341 --> 00:34:12,801 SHE LIVES IN THE BUILDING ACROSS THE STREET, 499 00:34:12,801 --> 00:34:15,094 WHERE SHE WAS KILLED AND MOVED HERE. 500 00:34:15,094 --> 00:34:17,305 CARROLL'S BOOK, RIGHT? 501 00:34:17,305 --> 00:34:19,349 WHITE DRESS, BLOND LOCKS, RED LIPS. 502 00:34:20,392 --> 00:34:24,145 YEAH. GWENDOLYN. 503 00:34:24,145 --> 00:34:27,106 YOU MEAN CLAIRE. 504 00:34:27,106 --> 00:34:29,026 DIDN'T CLAIRE INSPIRE THE CHARACTER OF GWENDOLYN? 505 00:34:40,495 --> 00:34:42,121 COME ON, RYAN. ANYTHING? 506 00:34:43,164 --> 00:34:44,750 ANYTHING! 507 00:34:44,750 --> 00:34:46,001 I MEAN, THE MURDERS IN THE SUBWAY WERE 508 00:34:46,001 --> 00:34:47,377 A SPECTACLE, AN ANNOUNCEMENT. 509 00:34:47,377 --> 00:34:49,588 THIS--THIS IS A VERY SPECIFIC MESSAGE. 510 00:34:55,886 --> 00:34:57,554 - I GOT NOTHING. - OH, YOU ARE SO FULL OF IT. 511 00:34:57,554 --> 00:34:59,138 YOU ACT LIKE YOU'RE OVER IT, 512 00:34:59,138 --> 00:35:01,349 BUT YOU'RE HERE BECAUSE YOU CARE. 513 00:35:01,349 --> 00:35:02,768 YOU DON'T KNOW HOW NOT TO CARE, 514 00:35:02,768 --> 00:35:04,227 SO IF YOU KNOW SOMETHING, JUST TELL ME. 515 00:35:04,227 --> 00:35:05,228 SORRY, MIKE. 516 00:35:07,898 --> 00:35:10,316 WHY DID YOU REQUEST CARROLL'S DNA RECORDS? 517 00:35:10,316 --> 00:35:11,985 SIX MONTHS AGO, YOU REQUESTED THE FULL REPORT. 518 00:35:11,985 --> 00:35:13,403 I WANTED TO SEE FOR MYSELF. 519 00:35:13,403 --> 00:35:14,696 WHAT, YOU WEREN'T CONVINCED? 520 00:35:14,696 --> 00:35:16,656 HIS DNA MATCHED HIS SON'S DNA. 521 00:35:16,656 --> 00:35:18,491 I DON'T KNOW WHERE YOU'RE GOING WITH THIS, MIKE. 522 00:35:18,491 --> 00:35:20,452 JOE IS DEAD. 523 00:35:20,452 --> 00:35:22,746 YEAH, HE IS, RYAN. HE'S DEAD. 524 00:35:30,629 --> 00:35:31,922 I CALLED. 525 00:35:33,006 --> 00:35:34,340 I REACHED OUT. 526 00:35:36,551 --> 00:35:38,053 WHAT, YOU--YOU COULDN'T BE BOTHERED? 527 00:35:39,763 --> 00:35:41,180 RYAN, I NEEDED TO TALK TO YOU, MAN. 528 00:35:41,180 --> 00:35:42,808 ALL I CAN THINK ABOUT IS THAT LAST DAY, 529 00:35:42,808 --> 00:35:44,476 HOW EVERY SECOND PLAYED OUT. 530 00:35:44,476 --> 00:35:45,811 IF WE'D HAVE DONE ONE THING DIFFERENT, 531 00:35:45,811 --> 00:35:48,396 IF WE HAD CHANGED ONE THING, 532 00:35:49,856 --> 00:35:51,817 MAYBE WE WOULD HAVE-- 533 00:35:51,817 --> 00:35:53,944 MAYBE WE WOULD HAVE GOT TO DEBRA ONE SECOND SOONER. 534 00:35:57,322 --> 00:36:00,075 IF WE'D DONE ONE THING DIFFERENT. 535 00:36:04,454 --> 00:36:07,916 WHAT? YOU GOT NOTHING? 536 00:36:12,420 --> 00:36:13,379 SO THAT'S HOW IT'S GONNA BE. 537 00:36:17,509 --> 00:36:18,551 TAKE CARE OF YOURSELF, MIKE. 538 00:36:33,650 --> 00:36:35,986 Woman: A PERSON OF INTEREST INVOLVED IN LAST NIGHT'S... 539 00:36:35,986 --> 00:36:37,946 MY FACE IS EVERYWHERE. 540 00:36:59,592 --> 00:37:01,720 - WHAT HAPPENED? - RYAN HARDY SHOWED UP AT MY PLACE. 541 00:37:04,848 --> 00:37:06,850 MARK, I'M SORRY. 542 00:37:09,936 --> 00:37:11,771 WHAT WAS RYAN HARDY DOING THERE? 543 00:37:11,771 --> 00:37:14,149 HE SURPRISED ME. I HAVE NO IDEA. 544 00:37:14,149 --> 00:37:17,276 YOU SAID YOUR PLACE WAS SAFE, UNTRACEABLE. YOUR WORDS! 545 00:37:17,276 --> 00:37:19,445 LOOK. I DON'T KNOW HOW HE KNEW. 546 00:37:19,445 --> 00:37:21,990 IT WASN'T MY FAULT! I'M SORRY. 547 00:37:24,283 --> 00:37:25,869 WHAT ARE THEY GONNA FIND THERE WHEN THEY SEARCH THE PLACE? 548 00:37:25,869 --> 00:37:29,081 NOTHING. I MEAN, MY STUFF. 549 00:37:29,081 --> 00:37:30,331 NOTHING THAT'S GONNA LEAD THEM HERE. 550 00:37:30,331 --> 00:37:32,458 AND I'M SUPPOSED TO BELIEVE YOU? 551 00:37:32,458 --> 00:37:35,587 THERE'S NOTHING TO FIND. MAYBE SOME PRINTS, MAYBE. 552 00:37:35,587 --> 00:37:37,338 I HAVE, LIKE, 10 FAKE I.D.s OUT THERE. 553 00:37:37,338 --> 00:37:39,841 EH, WE TRUSTED YOU, CARLOS, 554 00:37:39,841 --> 00:37:42,552 BROUGHT YOU IN, MADE YOU PART OF THE FAMILY. 555 00:37:46,014 --> 00:37:48,725 OKAY. I'VE DONE EVERYTHING THAT YOU GUYS HAVE SAID. 556 00:37:50,602 --> 00:37:52,270 WHAT'S THE PROBLEM? WE'RE COOL. 557 00:37:52,270 --> 00:37:56,775 LUKE, DON'T. LET IT GO. 558 00:37:56,775 --> 00:37:59,778 I--I'M THE ONE WHO'S GONNA GET JOE. 559 00:37:59,778 --> 00:38:00,779 THAT'S WHAT YOU WANT. 560 00:38:05,200 --> 00:38:08,369 EH, YOU'RE RIGHT. IT'S COOL. SORRY. I OVERREACTED. 561 00:38:10,205 --> 00:38:11,248 I DO THAT SOMETIMES. 562 00:38:12,498 --> 00:38:14,960 LETTING IT GO! 563 00:38:14,960 --> 00:38:15,919 POOF. GONE. 564 00:38:18,588 --> 00:38:19,714 AW, COME ON. LET'S HUG IT OUT. 565 00:38:21,841 --> 00:38:23,885 I DON'T--I DON'T WANT TO HUG YOU. 566 00:38:26,054 --> 00:38:27,180 WHY DON'T YOU WANT TO HUG ME? 567 00:38:29,849 --> 00:38:30,809 I JUST DON'T. 568 00:38:43,571 --> 00:38:44,823 HUGGY HUG. 569 00:38:49,911 --> 00:38:52,789 OH, THINGS HAVE GOTTEN WAY TOO SERIOUS IN HERE. 570 00:38:52,789 --> 00:38:55,708 LIGHTEN UP! HA HA! 571 00:38:55,708 --> 00:38:58,295 IF WE'RE NOT HAVING FUN, WHAT'S THE POINT? HUH? 572 00:39:01,089 --> 00:39:02,174 YOU WANT TO SEE SOMETHING FUNNY? 573 00:39:02,174 --> 00:39:03,967 UH-HUH. 574 00:39:03,967 --> 00:39:07,053 WELL... [CHOKING] 575 00:39:11,850 --> 00:39:13,059 - HE'LL LIVE. - HUH? 576 00:39:18,023 --> 00:39:18,982 Man: YOU HAVE A VISITOR. 577 00:39:20,233 --> 00:39:22,401 I CAN SEND HIM AWAY. 578 00:39:22,401 --> 00:39:26,447 NO, IT'S OKAY. HE CAN COME IN. 579 00:39:26,447 --> 00:39:27,949 Woman on TV: ANYONE WITH ANY INFORMATION ON-- 580 00:39:32,620 --> 00:39:33,579 HOW ARE YOU, MS. GRAY? 581 00:39:35,248 --> 00:39:37,583 WELL, SIX PEOPLE WERE KILLED. 582 00:39:40,837 --> 00:39:41,838 I'M FINE. 583 00:39:47,093 --> 00:39:48,053 WHY ARE YOU HERE? 584 00:39:49,512 --> 00:39:50,555 I WAS CONCERNED. 585 00:39:50,555 --> 00:39:51,931 I--YOU KNOW... 586 00:39:51,931 --> 00:39:55,101 YOU KNOW, YOU ASKED EARLIER 587 00:39:55,101 --> 00:39:57,395 WHY THIS WAS HAPPENING, AND... 588 00:39:57,395 --> 00:39:58,646 I FOUND MY ANSWER. 589 00:40:00,606 --> 00:40:02,817 YOU KILLED JOE CARROLL, AND HIS FOLLOWERS ARE... 590 00:40:04,527 --> 00:40:06,571 MAD ABOUT IT, I GUESS. 591 00:40:08,365 --> 00:40:09,406 SO... 592 00:40:11,993 --> 00:40:12,952 WHY ARE YOU REALLY HERE? 593 00:40:17,290 --> 00:40:21,460 SIX PEOPLE WERE KILLED, AND, UH... 594 00:40:21,460 --> 00:40:24,214 YOU'RE THE ONLY ONE I CAN SAY, "I'M SORRY," TO. 595 00:40:25,924 --> 00:40:28,801 SO...I'M SORRY. 596 00:40:32,805 --> 00:40:35,808 JUST...NEEDED TO SAY IT OUT LOUD. 597 00:40:37,310 --> 00:40:38,311 GOOD NIGHT. 598 00:40:45,735 --> 00:40:48,738 EMMA...WHERE'S CARLOS? DID YOU FIND HIM? 599 00:40:48,738 --> 00:40:50,115 I WENT TO THE ADDRESS FRANK GAVE ME. 600 00:40:50,115 --> 00:40:51,532 HE WASN'T THERE... 601 00:40:53,076 --> 00:40:54,411 BUT RYAN HARDY WAS. 602 00:40:55,536 --> 00:40:56,829 WHAT? 603 00:40:56,829 --> 00:40:58,081 WHAT--WHAT WAS HE DOING THERE? 604 00:40:59,457 --> 00:41:01,626 I DON'T KNOW, HANNAH. 605 00:41:01,626 --> 00:41:02,752 I HAVE NO IDEA WHAT'S GOING ON. 606 00:41:05,797 --> 00:41:08,049 NO. NOT YET. 607 00:41:09,926 --> 00:41:11,052 HE'S STILL GOT 20 MINUTES LEFT. 608 00:41:21,187 --> 00:41:22,188 ♪ I SEE ♪ 609 00:41:23,982 --> 00:41:25,608 ♪ EARTHQUAKES AND LIGHTNING ♪ 610 00:41:29,237 --> 00:41:30,989 ♪ I SEE ♪ 611 00:41:30,989 --> 00:41:33,325 ♪ BAD TIMES TODAY ♪ ♪ 612 00:41:52,093 --> 00:41:55,305 DAMN, JUDY. THAT WAS A GOOD ONE. 613 00:41:56,473 --> 00:41:57,765 YES, IT WAS. 614 00:42:01,311 --> 00:42:03,355 Woman on TV: NOW TURNING BACK TO OUR TOP STORY, 615 00:42:03,355 --> 00:42:05,148 WE HAVE AN UPDATE. 616 00:42:05,148 --> 00:42:07,859 THE DEATH TOLL IS NOW SIX IN NEW YORK CITY. 617 00:42:07,859 --> 00:42:09,902 IS THIS THE WORK OF CARROLL'S CULT? 618 00:42:09,902 --> 00:42:12,780 THIS NEW MURDER COMES A DAY AFTER 3 MEN... 619 00:42:12,780 --> 00:42:16,201 DARYL, COME SEE THIS QUICK! 620 00:42:16,201 --> 00:42:17,410 SIX PEOPLE WERE KILLED! 621 00:42:23,582 --> 00:42:26,919 ♪ DON'T GO AROUND TONIGHT ♪ 622 00:42:26,919 --> 00:42:29,922 ♪ WELL, IT'S BOUND TO TAKE YOUR LIFE ♪ 623 00:42:29,922 --> 00:42:31,299 HURRY! 624 00:42:31,299 --> 00:42:33,801 ♪ THERE'S A BAD MOON ♪ 625 00:42:34,886 --> 00:42:37,722 ♪ ON THE RISE ♪♪ 626 00:42:37,722 --> 00:42:39,891 Woman on TV: THIS IS WHAT CARROLL EXPERT RYAN HARDY 627 00:42:39,891 --> 00:42:41,434 HAD TO SAY EARLIER TODAY. 628 00:42:41,434 --> 00:42:42,894 Ryan on TV: MY THOUGHTS AND PRAYERS GO OUT 629 00:42:42,894 --> 00:42:44,437 TO THE VICTIMS AND THEIR FAMILIES, 630 00:42:44,437 --> 00:42:46,439 BUT WITH REGARDS TO THE SUBWAY MURDERS 631 00:42:46,439 --> 00:42:48,441 AND JOE CARROLL, I'M NOT INVOLVED. 632 00:42:52,862 --> 00:42:54,613 WELL NOW. 633 00:42:54,613 --> 00:42:58,826 ♪ THERE'S A BAD MOON ♪ 634 00:42:58,826 --> 00:43:00,453 ♪ ON THE RISE ♪♪